HOME Blog Photography Coming Out (Play) The Sixth Victim & Other Plays License a Play Bacalao With Honour in Battle This & That Theistic Atheism Short Story Annual Vampire Collection War Patrol Reports Stories and Essays J.T.'s Reviews Interviews Biography Submarine Technology Favorites Links NavalAdventure.com FleetSubmarine.com Follow @auth_JTMcDaniel J.T.'s YouTube Channel eMail

© 2001, 2016, Riverdale Literary Holdings, Inc. All rights reserved.

J.T. McDaniel Official Site


With the publication of Bacalao in July 2004, J.T. McDaniel solidly established himself as one of the premier maritime authors in recent years. Critic Barbara Buhrer called Bacalao “…the best World War II submarine novel since Edward L. Beach’s Run Silent, Run Deep,” and predicted the book would become “…a classic of submarine [literature].”

Best selling author Homer Hickam (Rocket Boys, The Keeper’s Son, Torpedo Junction) calls Bacalao “…an impressive and exciting novel,” and declares McDaniel “…a terrific writer who has created a classic of wartime adventure.”

Meanwhile, former submariners have hailed Bacalao as “…the most technically accurate submarine story ever.” Perhaps not surprising, as McDaniel was also the creator and original (but not current) webmaster of FleetSubmarine.com, as well as an internationally recognized authority on the American fleet type submarine.

McDaniel’s first novel, With Honour in Battle, was more speculative. Set aboard  an experimental U-boat in the final months of World War II, With Honour in Battle was a critically acclaimed exploration of the officers and men of U-2317. “They knew the war was lost,” McDaniel said, “but they still continued to fight. Their sense of duty kept them at it, but didn’t keep them from wondering if it was all a waste. Was what they were doing really useful? Or were they just sinking ships and, in the process, killing other sailors to no good purpose.”

“The truth is, any war involves a certain moral dilemma. Most soldiers and sailor aren’t really fighting for a grand cause. They’re fighting to preserve their own lives, and to keep the enemy away from their families. The military is perhaps the only career where you train for years in the hope that you’ll never have to put your training to practical use. No sane man really wants to kill anyone, but you do it because your government, your leaders, tell you it’s important. Most military training is intended to teach the soldier how to overcome his natural revulsion at taking another human life long enough to carry out his mission.”

McDaniel received most of his formal training as a writer courtesy of the United States Army. He enlisted in 1967, taking basic training at Fort Knox, Kentucky, and then going to Fort Benjamin Harrison, Indiana, at that time the home of the Defense Information School (DINFOS). The ten-week course at DINFOS was writing intensive, with nearly as many classroom hours in Applied Journalism as the average student receives in a four year college journalism course.

“Newspaper journalism, which was the emphasis in that school, is a wonderful background for a novelist,” McDaniel says. “You learn to structure your stories. You learn what’s important, what will capture the reader’s attention. The only real negative is that it also trains you to keep everything short. Sometimes too short. I keep starting novels and ending with short stories.

“Still, any formal training helps. Hemingway was a newspaper reporter, remember. So was Ian Fleming. If you learn nothing else, working on a newspaper teaches you how to spell. I did my stint as a reporter and editor in the pre-computer era. The only spell checkers we had then were the ones in our heads.”

Besides writing, McDaniel worked in broadcasting for a number of years, mostly at radio stations in Florida. A recent outgrowth of his old broadcasting career has been working on spoken word albums of poetry and selections from classical theatre, and narrating audiobooks.

HAMLET: Speeches and Soliloquies
Speeches and soliloquies, by Character:
Claudius: “Though yet of Hamlet,” “’Tis sweet and commendable,” “O, my offence is rank.”
Hamlet: “O, that this too, too solid flesh,” “Now I am alone,” “To be, or not to be,” “How all occasions do inform against me,” “Alas, poor Yorick,” “Give me your pardon,” “I am dead, Horatio.”
Laertes: “For Hamlet and the trifling of his favour.”
Polonius: “Yet here, Laertes!”
First Player: “The rugged Phyrrus,”
Ghost: “I am thy father’s spirit,” (full scene).
Available from: iTunes Store, Apple Music, Amazon MP3, Spotify.

What’s New?

20 May 2016: Took some new pictures. First time a headshot has shown me with hair in a very long time. And, yes, it’s my hair. I paid for it, so it’s mine, even if it used to be somebody else’s when it was actually growing. That’s the wig I’ll be wearing as Curt, in case you were wondering what this is all about.

28 April 2016: Cast as Curt in Out of the Box Community Theatre’s forthcoming production of Tom Dudzick’s backstage comedy Don’t Talk to the Actors. Performances at Hoge Memorial Presbyterian Church, 2930 W. Broad Street, Columbus, OH, at 8:00 PM  on Friday and Saturday, June 3-4 and 10-11, and 3:00 PM matinees on Sundays, June 5 and 12. Tickets and other information at Out of the Box Community Theatre.  

19 April 2016: Released for sale today at Audible.com, Stewart Giles’ crime thriller, Smith: A DS Jason Smith Thriller. I had a blast narrating this one. Giles is a great crime writer, and Detective Sergeant Smith is a complex, fascinating character. He’s also based in York, not London, which is a litle different. I’m in the process of recording the sequel now.

Also just released, the audiobook version of my one-act play collection, The Sixth Victim & Other Plays. For this one I was joined by Ashton Brammer, Mic O’Halloran, Harold Yarborough, Colton Weiss, Judy Parker, LeVanu Wu, Jack Shultz, and Ann O’Halloran. The audiobook contains produced versions of: The Sixth Victim, To Kill a King, Burying Dad, It’s the Computer’s Fault, and Sunday Afternoon. Settings range from 1888 London, to contemporary central Ohio, to the Danish court shortly before Hamlet’s father was murdered.

14 March 2016: Now on sale at Audible.com, William M. Kaffenberger Jr’s and Gary D Rhodes’ Bela Lugosi in Person, narrated by me. To purchase, click here, or use the sidebar link. I really had a good time doing this one, which concentrates on Lugosi’s many personal appearances during his long career.

29 February 2016: My latest audiobook narration job, Go Entertain’s The History of the Royal Navy, is now available at Audible.com. To purchase, click here, or use the sidebar link.

10 February 2016: The newest audiobook I’ve narrated, Reasons NOT to Buy a Sugar Glider, by Diamond Nester, is released at Audible.com. To purchase, click here, or on the sidebar link. Despite the title, this little book is strongly positive about sugar glider ownership.

5 February 2016: The Battle of Britain and the Heroes of the Skies, which I narrated for Go Entertain, became available today at Audible.com. To purchase, click here, or on the link in the sidebar.

14 January 2016: My new book, Shakespearean Performance: A Beginner’s Guide, is now available as an audiobook at Audible.com. I wrote and narrated this guide, which is published by C.E.B. Pubs. Click here, or on the link in the sidebar to purchase from Audible.

26 December 2015: Well into rehearsals for The Comedy of Errors at Columbus Civic Theater. The show opens January 7, 2016. I’ll be playing the Duke.

24 December 2015: The print version of The Sixth Victim & Other Plays has been published, and is now available at Amazon.com and other online booksellers.

28 October 2015: The audiobook edition of Bacalao, narrated by Dennis St. John, is now available from Amazon.com and Audible.com. It should also be available in the iBook store shortly, if it isn’t alrea

9 October 2015: The first week of rehearsals for Jeff Daniels’ Escanaba in da Moonlight are completed. I’ll be playing Jimmer, which after all those stuffy Englishmen should be a lot of fun. I don’t get to play perpetually plastered backwoods UFO abductees all that often.

24 July 2015: Hamlet: Speeches and Soliloquies, my new spoken word album, was released for sale. Initially available on the iTunes and Amazon MP3 stores, it is also being released to most other online retailers for download. I’ve started working on another spoken word album of Edgar Alan Poe’s poetry, which should be available later this summer. The Hamlet album has me doing speeches and soliloquies by six different characters,

30 April 2015: Hamlet prep continues. I’ve been uploading some pictures to iStockPhoto.com, with a half dozen available for licensing so far. I may add a Photographs page to this site and put up some stuff for anyone who wants prints.

12 April 2015: I’ve been officially retired for just over a month now. Odd feeling. I don’t think I’m actually working any less. There are books to edit, websites to update, and I still need to finish learning Act 5 of Hamlet. Fun, fun, fun!

28 January 2015: In rehearsal for the role of Solicitor John Mayhew in Agatha Christie’s Witness for the Prosecution at the Little Theatre Off Broadway in Grove City, Ohio. Good role, but I fear the second act will present a particular challenge. Mr Mayhew spends the entire second act sitting in a chair in the courtroom and never says a word. I sometimes have enough trouble staying awake when I have dialogue. This is the sixth show I’ve done at LTOB, and I’ve played an Englishman (well, once, a crazy Scottish wizard) in five of them.

2 January 2015: Come this June, I will be appearing as Claudius in the CPC Theatrical production of William Shakespeare’s Hamlet at the Abbey Theater of Dublin (Ohio). I’m too old to be Hamlet (and arguably not quite old enough to be Polonius), but, honestly, playing the bad guy is generally a lot more fun. Not to mention, while he may get slightly stabbed at the end, Claudius doesn’t have to learn all that complicated fight choreography required of Hamlet and Laertes. Learning all those lines is enough for me. I’ll leave the (very real) swords to the younger guys.

15 February 2014: Will be appearing in Monty Python’s Spamalot at the Little Theatre Off Broadway in Grove City, OH in April/May. I’ll be playing the Mayor in the Finland number, walk on as Sir Not Appearing in This Show, and then return later as Tim the Enchanter, which will undoubtedly be the most fun. If they’re smart, they’ll figure out a way to keep my feet as stationary as possible. No one wants to see me dance (presuming anyone would ever call it that).

15 November 2013: My recently produced play, Coming Out: A Dark Comedy in Two Acts, has been nominated for Best Original Play in the BroadwayWorld.com Columbus Awards. Also nominated from this show was Jim LeVally, who played Rev. James Anderson, for Best Actor in a Play. Martha Kathryn Smith, who played Jim’s wife, was nominated for Best Young Actress for a different show. Voting continues through December 31. The entire play is currently available for viewing on line at the play’s website, ComingOutThePlay.com, and on YouTube.

29 September 2013: Tomorrow begins the final week of rehearsals for Coming Out: A Dark Comedy in Two Acts, at The Abbey Theater of Dublin, leading up to a combination dress rehearsal and preview on Thursday, October 3, and our opening night on Friday, October 4. After the opening we’ll run two more weekends, with performances as 8:00 pm on Fridays, and a 3:00 pm matinee and 8:00 pm evening performance on Saturdays.

8 June 2013: Uploaded a new website, ComingOutThePlay.com. I wrote the play, and will be playing the father in it, along with co-directing. The show will premier at The Abbey Theater of Dublin, in Dublin, Ohio, the first three weekends in October. The title notwithstanding, only two of the nine characters are gay; the play is much more about the reactions of one’s family than the character’s own sexual identity. Of particular interest is his elder brother, a Dallas mega-church pastor and televangelist, whose opinion of his brother’s announcement falls somewhere between what you’d expect from Pat Robertson and Fred Phelps, and perhaps leans more than a little in Fred’s direction. There’s a lot of yelling and some rude language. I play a happily married college professor (with a pregnant secretary). There are some very serious themes examined here, but I think there’s plenty of opportunity for humor, too.

1 March 2013: Opening night for To Kill a Mockingbird at the Little Theatre Off Broadway, in Grove City, Ohio. I’m playing Judge Taylor in this production. That’s one of those roles where you don’t say a lot, but what you do say is fairly critical. Curiously, this show has reminded me that I seem to be one of those rare men who can shave off a white beard and somehow end up looking older! That’s just not right! Nice turnout for the opening. (Later: In fact, other than opening night, the entire run sold out.)

3 June 2012: Started rehearsals for Into the Woods at Arena Fair Theater in Delaware, Ohio. I’ll be playing the Narrator. Performances scheduled for the first weekend in August, if you happen to be in the area on those dates. I haven’t sung in public for a while, so this should be interesting.

17 February 2012: I’ve posted a video of me reading my short story, A Patient Man, to my YouTube channel, TheJTMcDaniel.

30 November 2011: Doing a little tweeting lately. Who says old guys can’t learn new stuff? Not that anyone is actually following yet.

Edgar Allan Poe: Ten Poems and The Cask of Amontillado
Contains these poems:
The Raven
Anabel Lee
El Dorado / A Sonnet: Science
The Bells
The Conqueror Worm
Fairy Land
The Coliseum
And the short story, The Cask of Amontillado
Available from: iTunes Store, Apple Music, Amazon MP3, Spotify